Dead Lines

June 1, 2004
In this taut ghost story set in the California of everyone's dreams-and nightmares-from Hugo and Nebula winner Bear (Darwin's Children), anything-goes hardcore porn films have blasted softcore screenwriter Peter Russell's career. The horrifying abduction and murder of his young daughter has destroyed Russell's marriage; his best friend has just died; and Joseph Weinstein, the reclusive sugar daddy who employs Russell as a dogsbody, seems to be descending into senility. Worse follows. In pursuit of financial security, Russell sells Weinstein on "Trans," a seductive new gadget promising unlimited instant broad-band communication, and all too soon reaching out and touching via Trans even wakes the dead, whose path to the hereafter is now so clogged with spam and unlimited phone calls that they return to haunt the living. Bear's ability to incorporate scientific concepts into tightly woven, fast-paced story lines reaches menacing new proportions here, because it draws on that nagging suspicion that the ubiquitous, innocent-appearing cell phone may really be killing off its users. By deftly extrapolating that doubt into everyone's most dreaded fears-loss of job, loss of friends, loss of children-Bear reanimates the old story of Faust, who sold his soul for unlimited knowledge and power, hinting ominously that the price of rampant technology may be dearer than we think. Agent, Richard Curtis. (On sale June 1) Forecast: What hard SF fans Bear may lose by exploring midlife crisis while downplaying science he may pick up among mainstream readers.

June 1, 2004
Dedicating his latest novel to 13 masters of literary terror, from Henry James and Shirley Jackson to Fritz Leiber and Stephen King, award-winning sf author Bear (Darwin's Radio) offers a high-tech ghost story hinging on Trans, a communication device that replaces cell phones in popularity. Although it allows huge amounts of information to be transmitted instantly, the device relies on an energy source that turns out to be a route for the dead to leave this world. As spam, email, and phone calls clutter the bandwidth, it becomes increasingly difficult for the dead-like the murdered daughter of protagonist Peter Russell-to make their exit. Much of the narrative progresses via Russell's thoughts about his real and surreal encounters with inventors, family, and ghosts in contemporary Los Angeles. Though not as polished as some of Bear's sf, this is a gripping tale suitable for adult fiction collections.-Sara Tompson, Packer Engineering Lib., Naperville, IL

Copyright 2004 Library Journal, LLC Used with permission.

May 1, 2004
In perhaps his most mainstream novel to date, Nebula Award winner Bear envisions what might happen should a new technology open the floodgates on another dimension. In the near future, the technology in question is the "trans," a sort of souped-up cell phone with near-infinite bandwidth and perfect reception anywhere in the world. Peter Russell is a washed-up director of soft porn, living on handouts and reeling from the death of his closest friend, when the device's manufacturers offer him a chance to revamp his career and film their promotional videos. One of the assignment's perks is, of course, a batch of free trans phones--a blessing that may actually harbor a curse. For Peter begins to unravel and to see ghostly simulacra of both the living and the dead. Is he losing his mind, or have the trans' inventors tapped into a force that literally bends minds and even reality? Bear's masterful prose, effectively chilling and reminiscent of Koontz at his best, makes this a good pick for sf and horror fans.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)

April 26, 2004
In this taut ghost story set in the California of everyone's dreams—and nightmares—from Hugo and Nebula winner Bear (Darwin's Children
), anything-goes hardcore porn films have blasted softcore screenwriter Peter Russell's career. The horrifying abduction and murder of his young daughter has destroyed Russell's marriage; his best friend has just died; and Joseph Weinstein, the reclusive sugar daddy who employs Russell as a dogsbody, seems to be descending into senility. Worse follows. In pursuit of financial security, Russell sells Weinstein on "Trans," a seductive new gadget promising unlimited instant broad-band communication, and all too soon reaching out and touching via Trans even wakes the dead, whose path to the hereafter is now so clogged with spam and unlimited phone calls that they return to haunt the living. Bear's ability to incorporate scientific concepts into tightly woven, fast-paced story lines reaches menacing new proportions here, because it draws on that nagging suspicion that the ubiquitous, innocent-appearing cell phone may really be killing off its users. By deftly extrapolating that doubt into everyone's most dreaded fears—loss of job, loss of friends, loss of children—Bear reanimates the old story of Faust, who sold his soul for unlimited knowledge and power, hinting ominously that the price of rampant technology may be dearer than we think. Agent, Richard Curtis.
(On sale June 1)

Forecast:
What hard SF fans Bear may lose by exploring midlife crisis while downplaying science he may pick up among mainstream readers.